The Sirens of Baghdad by Yasmina Khadra, is one of those books I was drawn to because of the cover. It also interested me because I'd recently finished
Infidel by Ayaan Hirsi Ali and my mind was open to reading more about Muslim nations.
A young man from an unassuming little Iraqi village - and a pacifist at heart - is thrown into the tumults of war and violence, finding himself a part of - and wanting to be a part of - a radical terrorist group. It's a bold, gritty book that lets the reader into this man's thoughts as he tries to understand the conflict of his country and how he inescapably becomes a part of it.
This is a complex read and I admire Khadra for his willingness to analyze the many layers that create the conflicted feelings of his characters. They weigh the situation in Iraq, judging the West, their nation, their people, themselves, and foremost, how to make it right again for themselves. Admitttedly, at times it was hard to read - especially the West-hating parts, but I also understand that the author is trying to explain what brings people to these opinions; that they exist and ignoring them is as futile as the main character's attempts to docilely languish in his remote little village.
I admired Khadra's command of the language and couldn't get enough of his carefully thought-out phrases. I can literally open the book at random and quote anything, because all of his writing is good. Here are a few examples:
"I'd imagined a different Beirut, Arab and proud of it. I was wrong. It's just an indeterminate city, closer to its fantasies than to its history, a fickle sham as disappointing as a joke...It's so trifling, it seems insolent. Its affected airs are nothing but a con. Its alleged charisma doesn't jibe with its qualms; it's like a silk cloth over an ugly stain." (p. 1)
"A hostage to its own emptiness, Kafr Karam was unraveling a little more with each passing day." (p. 47)
"The bus, a backfiring old relic stinking of burned oil and overheated rubber, seemed to be on its last legs. It didn't roll so much as crawl along, like a wounded animal on the point of giving up the ghost." (p. 129)
"The taller of the two was a man in his fifties with a sinister-looking mug resting on his fat neck like a gargoyle on a church. A hideous burn scar extended high enough on his right jaw to cause a slight pucker in his eyelid. The fellow was a downright brute, complete with treacherous eyes and a sardonic grin." (p. 185)
Coincidentally, towards the end of the book, there is a reference about a Dutch filmmaker murdered by a Muslim because of a film he made. This film was made with Hirsi Ali and is the starting point of
Infidel.
Unquestionably, this is a good book club read. If you go solo, find someone with whom to discuss. I'm still wrestling with its themes.